Primarily working with moving image, Babar’s interdisciplinary practice is perhaps best described as acts of slipping between realities and fantasies, blurring lines that seemed to exist rigidly just a moment before. In Unfeeling (2018), subject and object exchange places as a single moment of heartbreak unfurls slowly and almost imperceptibly. In Four Broken Hearts (2015), film, performance, site-specific experiences and social media work together in an original framework to create a transmedia story world that can be experienced ‘like life itself’. Seaphilia (2014) displaces sexuality from its conventional vessels, 24FRAMES (2014) catches constraints in the act of framing perceptions and Searching… (2014) locates romantic desire as the litmus test for spiritual machines. Even when flirting with the satirical, a tender sincerity is hard to miss.
In current project ‘Possible Lives’ (2018 - ongoing), Babar answers the question of our age “What is consciousness?” and takes on the hitherto impossible: embodying other people’s subjective experience.